Works
  • Adolph Gottlieb Green Disc, 1969 Oil on linen 30 x 24 inches 76.2 x 61 cm
    Adolph Gottlieb
    Green Disc, 1969
    Oil on linen
    30 x 24 inches
    76.2 x 61 cm
  • Hans Hofmann Composition #2, 1951 Oil on canvas 60 x 48 in (152 x 122 cm)
    Hans Hofmann
    Composition #2, 1951
    Oil on canvas
    60 x 48 in
    (152 x 122 cm)
  • George Condo Nude with Towel, 2007 pencil on paper 35 x 26 1/2 in 88.9 x 67.3 cm
    George Condo
    Nude with Towel, 2007
    pencil on paper
    35 x 26 1/2 in
    88.9 x 67.3 cm
  • Tom Wesselmann Bedroom Blonde, Black and Green Pillows, 1986 enamel on cut-out aluminum 53 1/2 x 73 1/2 in 135.9 x 186.7 cm
    Tom Wesselmann
    Bedroom Blonde, Black and Green Pillows, 1986
    enamel on cut-out aluminum
    53 1/2 x 73 1/2 in
    135.9 x 186.7 cm
  • George Condo Study for Incomprehensible Dream I, 2003 pencil on paper 12 5/8 x 9 1/2 in 32.1 x 24.1 cm
    George Condo
    Study for Incomprehensible Dream I, 2003
    pencil on paper
    12 5/8 x 9 1/2 in
    32.1 x 24.1 cm
  • Sol Lewitt Horizontal Brushstrokes in Color, 2003 gouache on paper 11 x 30 in 27.9 x 76.2 cm
    Sol Lewitt
    Horizontal Brushstrokes in Color, 2003
    gouache on paper
    11 x 30 in
    27.9 x 76.2 cm
Press release

Helwaser Gallery is pleased to present Essential Schemes: Selected Paintings. Presenting works by Adolph Gottlieb, Richard Serra, Jean Michel Basquiat, Hans Hofmann, Tom Wesselmann and others, the show will open on March 11th and remain on view through May 15th, 2021. Bringing together a varied selection of paintings and works on paper that exemplify seminal formal approaches developed during the postwar period, the exhibition demonstrates the respective artist's best-known thematic concerns, and highlights their use of color and form within their compositions. Whilst emphasizing the achievements of each respective artist, it draws out the nuanced stylistic dialogues occurring between each work, allowing  unexpected connections to be made between the movements that took place within the later half of the twentieth century.

 

Large-scale works include Hans Hofmann's Composition #2 (1951), a precursor to the artist's well-known "slab" paintings. Tom Wesselmann's Bedroom Blonde with Black and Green Pillows (1986) revisits the imagery of the artist's famous Bedroom Paintings series on a monumental scale, using laser-cut metal. The scale of these works stand in contrast to small works on paper including Adolph Gottlieb's Untitled 6715 (1986), and Nicholas Party's Untitled (2020) —both of which evoke the intimacy of the viewing experience.  Fresh, bright, and vibrant, the works collectively establish the range of new perspectives and approaches that marked two decades of prolific artistic activity in the postwar era. As Hofmann once remarked, "A work of art is a world in itself, reflecting senses and emotions of the artist's world."