Christina Kruse (b. 1976, Germany) is a New York-based multi-disciplinary artist who works across the fields of photography, painting, and sculpture. Her ongoing body of sculptural works combine bronze, marble and wood in standing arrangements that reference geometry. Although grounded in structure, balance and stability, Kruse’s sculptures nevertheless evoke similarities to the human head and face, drawing connections between rationality and the oftentimes more capricious side of human life.
Previous significant works include Dystonia (2013), a three-part performance artwork where Kruse confronts the instability of the human lived experience. Getting into a purpose-built aluminum sculpture calibrated to automatically right itself after being pushed, Kruse allows herself to be taken along by the movements of the sculpture as it struggles to right itself in the face of multiple pushes and forces from all sides. Her earlier photographic and collage works draw on her personal biography, often deploying self-portraits layered with tape, watercolor, ink, and other media in her formal compositions.
Kruse’s artistic practice thrives on the notion of construction—that a work of art can necessarily be produced out of multiple elements that fit and connect with one another. Kruse is a recipient of the GLAAD award for Best Emerging Artist in Photography (2005). Her works have been featured in solo and group exhibitions in New York, France, Austria, and Germany, amongst others.